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Oil Paintings Come From United Kingdom
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Corrado Giaquinto
1703-1766 Italian Corrado Giaquinto Galleries He was born in Molfetta. As a boy he apprenticed with a modest local painter Saverio Porta, (c1667-1725), escaping the religious career his parents had intended for him. By October 1724, he left Molfetta, and along with his contemporaries Francesco de Mura (1696-1784) and Giuseppe Bonito (1707-1789), he trained from 1719-23 in the prolific Neapolitan studio of Francesco Solimena, either with Solimena or his pupil, Nicola Maria Rossi. Throughout his life, Giaquinto was a peripatetic painter, with long sojourns in Naples, Rome (between 1723-53), Turin (1733 and 1735-9), and Madrid (1753-1761). In 1723, he moved to Rome to work in the studio of Sebastiano Conca. He painted in San Lorenzo in Damaso, San Giovanni Calibita, and the ceiling at Santa Croce in Gerusalemme. In March 1727, with Giuseppe Rossi as an assistant, Giaquinto opened an independent studio near the Ponte Sisto, in the parish of Saint Giovanni of the Malva in Rome. In 1734, he married Caterina Silvestri Agate. The first documented work by his hand is Christ crucified with the Madonna, Saint John Evangelist, and Magdalene commissioned in 1730 by king John V of Portugal for the cathedral of the Mafra. In 1731, he received a prestigious commission, to execute frescoes in the church of San Nicola dei Lorenesi: Saint Nicholas water gush from cliff, three theologic and cardinal Virtues, and in the cupola Paradise. The latest restoration confirms Giaquinto stylistic independence from Solimena, and reveals his stylistic dependence on Luca Giordano.

 

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Corrado Giaquinto  Justice and Peace oil painting

Painting ID::  1474

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Corrado Giaquinto
Justice and Peace
1759-60 Museo del Prado, Madrid
   
   
     

 

 

Corrado Giaquinto Saints in Glory  S oil painting

Painting ID::  1475

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Corrado Giaquinto
Saints in Glory S
1755 Museo del Prado, Madrid
   
   
     

 

 

Corrado Giaquinto Birth of the Virgin oil painting

Painting ID::  30009

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Corrado Giaquinto
Birth of the Virgin
mk67 Oil on canvas 28 3/8x40 9/16in Uffizi,
   
   
     

 

 

Corrado Giaquinto The birth of the Virgin oil painting

Painting ID::  42055

X 
 

Corrado Giaquinto
The birth of the Virgin
mk166 1753 I Wave sbre cloth 72x103cm Uffizi, Florence
   
   
     

 

 

Corrado Giaquinto The Brazen Serpent oil painting

Painting ID::  43283

X 
 

Corrado Giaquinto
The Brazen Serpent
mk170 1743-1744 Oil on canvas 136.5x95cm
   
   
     

 

 

Corrado Giaquinto Moses Striking the Rock oil painting

Painting ID::  43284

X 
 

Corrado Giaquinto
Moses Striking the Rock
mk170 1743-1744 Oil on canvas 136.5x95cm
   
   
     

 

 

Corrado Giaquinto The Holy Spirit oil painting

Painting ID::  66448

X 
 

Corrado Giaquinto
The Holy Spirit
Oil on canvas 64 x 48 cm 1750s
   
   
     

 

 

Corrado Giaquinto Tobias and the Angel oil painting

Painting ID::  68384

X 
 

Corrado Giaquinto
Tobias and the Angel
c. 1740 Oil on canvas 58 x 48 cm
   
   
     

 

 

Corrado Giaquinto Justice and Peace oil painting

Painting ID::  70660

X 
 

Corrado Giaquinto
Justice and Peace
Medium Oil on canvas Dimensions 216 x 325 cm
   
   
     

 

 

Corrado Giaquinto Portrait of Farinelli oil painting

Painting ID::  79023

X 
 

Corrado Giaquinto
Portrait of Farinelli
1753(1753) Medium Oil on canvas cyf
   
   
     

 

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Corrado Giaquinto
1703-1766 Italian Corrado Giaquinto Galleries He was born in Molfetta. As a boy he apprenticed with a modest local painter Saverio Porta, (c1667-1725), escaping the religious career his parents had intended for him. By October 1724, he left Molfetta, and along with his contemporaries Francesco de Mura (1696-1784) and Giuseppe Bonito (1707-1789), he trained from 1719-23 in the prolific Neapolitan studio of Francesco Solimena, either with Solimena or his pupil, Nicola Maria Rossi. Throughout his life, Giaquinto was a peripatetic painter, with long sojourns in Naples, Rome (between 1723-53), Turin (1733 and 1735-9), and Madrid (1753-1761). In 1723, he moved to Rome to work in the studio of Sebastiano Conca. He painted in San Lorenzo in Damaso, San Giovanni Calibita, and the ceiling at Santa Croce in Gerusalemme. In March 1727, with Giuseppe Rossi as an assistant, Giaquinto opened an independent studio near the Ponte Sisto, in the parish of Saint Giovanni of the Malva in Rome. In 1734, he married Caterina Silvestri Agate. The first documented work by his hand is Christ crucified with the Madonna, Saint John Evangelist, and Magdalene commissioned in 1730 by king John V of Portugal for the cathedral of the Mafra. In 1731, he received a prestigious commission, to execute frescoes in the church of San Nicola dei Lorenesi: Saint Nicholas water gush from cliff, three theologic and cardinal Virtues, and in the cupola Paradise. The latest restoration confirms Giaquinto stylistic independence from Solimena, and reveals his stylistic dependence on Luca Giordano.